From braving the Icelandic wilderness to traversing the towering mountains of Norway, Richard’s glass landscapes are fuelled by a passion for nature and travel.
Known for his reverse technique of painting – in which he paints backwards on the opposite side of a sheet of glass – Richard says he is on a constant learning curve. The medium enables him to achieve a much smoother gradient and colour spectrum than canvas. In turn, his natural phenomena are brought to life.
His unconventional method was honed using glass from the local tip whilst working at Formula One. Inspired by the art of J.M.W. Turner, he became fascinated by the power of light.
Richard says: “I am inspired by the magnificence and splendour of the natural environment. By capturing the movement of light, I try to encourage my viewers to feel as if they are there in the moment.”
Richard is known for his back-to-front painting technique, whereby he paints in oil on the opposite side of the glass (something he admits has taken a lot of practice!). The glass is then baked in a makeshift box, where it dries out over two weeks. Following this, he scratches out the paint to add detail.
He adds: "Instead of painting with acrylics, decorating paints or inks - in my eyes an abomination - I discovered the reflection of light . It was in this moment that my life started."
Richard's studio is at the end of the garden at his Victorian house near Wimbledon. He spends most of the day in his artspace, often working on up to five paintings at once. Once his children return from school, he enjoys some family time before getting back to his art.
Showcasing the very best of our artworks, along with behind-the-scenes updates and interviews, the new issue of our Fine Art Collector magazine is a must-read!
The Spring 2019 issue of Fine Art Collector is brimming with insights and news from the art world, as well as all of your favourite artists.
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