If you’ve ever admired the crystal-clear colours and tactile surfaces of works by Scarlett Raven, Paul Kenton or Jon Jones, you’ve witnessed the power of the giclée.
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
It is believed that a giclée will significantly outlast a lithographic print, keeping its vivid colour for up to 200 years.
13/03/2023
Painter Scarlett Raven's new collection, Lasting Impressions, is her most passionate and physical yet, inspired by her love of nature and her admiration of Vincent Van Gogh.20/04/2023
Jon Jones is brimming with enthusiasm about his new works for Castle Fine Art. The new originals, limited editions and trial proofs are part of the Made in Birmingham collection, and are a mix of Jon’s memories of growing up in the city, his love of history and of the real Peaky Blinders gangs from there, whom he has studied in detail, and some of the many other figures who have captured his imagination.Thank you for signing up to our newsletter.
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