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Punk Skunk Guernica

Ron English
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Punk Skunk Guernica
Unveiling Ron English's 'Guernica' collection | 2024
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REG SLE ABS 32005 Punk Skunk Guernica 30
REG SLE ABS 32005 Punk Skunk Guernica 30
Limited Edition Edition of 95

Punk Skunk Guernica

Punk Skunk Guernica

Ron English Ron English
(Ex VAT)
Limited Edition Edition of 95

Available

Need advice? Contact Us Need advice?
Framed size 61.6in x 31.7in | 156.5cm x 80.5cm
Limited Edition Edition of 95

Punk Skunk Guernica

Punk Skunk Guernica

Ron English Ron English
(Ex VAT)
Limited Edition Edition of 95

Available

Need advice? Contact Us Need advice?
Framed size 61.6in x 31.7in | 156.5cm x 80.5cm
Framed size 61.6in x 31.7in | 156.5cm x 80.5cm

Punk Skunk Guernica
Ron English
(Ex VAT)

A Hand-signed Mixed Media Limited-Edition on Canvas by Ron English.

Contemporary American artist Ron English merges brand imagery, motifs from popular culture, cartoon characters and art historical references in a unique style, which he has coined ‘Popaganda’. Having previously riffed on works by Andy Warhol, Jean-Michel Basquiat and Leonardo da Vinci, he has recently reframed Picasso’s most famous masterpiece, ‘Guernica’.

Where Picasso’s mural is a powerful piece of propaganda, Ron English has painted witty, ‘popaganda’-styled interpretations of ‘Guernica’ which carry his own statements about today’s culture and divided societies as we advance towards new technologies. Inserting his own irreverent imagery, characters and visual references into Picasso’s template, English’ highly-imaginative phantasmagorical tableau assume iconic status, while asserting the artist’s own position as a great contemporary master.

‘Punk Skunk Guernica’ by Ron English is his subversive reimagining of Picasso’s epic anti-war mural. While paying tribute to the high drama, dynamic composition and atmospheric palette of the original, English has replaced Picasso’s cast of tragic characters with imagined creatures from his very own invented world, Delusionville.

Delusionville is, in English’s words, “like a fairy tale”, which he has not only painted in compelling detail, but written and composed songs about. Split by a river, there is a rich and poor divide, and “every animal that falls down the hole from the surface world has to negotiate their position, ending up on different sides” of this underground realm. Mostly, they find their roles reversed, with the Wolf discovering that he has become a “slave to all animals, existing at the lowest position in this society”, while “the little ducks are more superior”.

Developed by the artist himself, the “alternative reality” of Delusionville and its characters take central part in the artwork: three-headed rabbits, vultures, a large pig and the winged First Lady of Delusionville, Elefanka, are among those pictured in this frame. Building toy sculptures, he has worked from a set of his own making for this artwork. Striking a comic note, English’s version carries the feel of Pop Surrealism, in which artists distort recognisable symbols, characters and iconography in unexpected ways.

There is also a dream-like quality to the composition, which he has imagined in an evocative and muted palette, which he has developed “in relationship to Picasso's original.” In sharp black and white, and standing prominently in the foreground, is Punk Skunk, who he has developed as a character for people to relate to. Growing from his tail is a striking marijuana leaf symbol, inviting questions about the nature of reality. While Picasso was protesting war, English says that he “wanted to talk about social class in America, which is never even acknowledged”. Having created the cloak of a fairy tale and own cast of characters, his figures “all have their own politics, and all their own religions.” Punk Skunk Guernica’ is a modern-day fable about cultural divides in today’s context.

It was in 1937 that Picasso painted ‘Guernica’ as a powerful piece of propaganda, protesting the horrific bombing of the Basque town by Fascist forces during the Spanish Civil War. Having seen Picasso’s epic, anti-war mural in person and taking this art historical icon as his template, English decided that he wanted to do “100 versions of it in every way that I could think of.”. English has self-consciously kept some of the most symbolic imagery from Picasso’s mural, paying tribute to his predecessor. With the adaptations, he has paid tribute to the billboard-like scale and composition of the original, resonating deeply with his own earlier work. Having started his career as a street artist in the late 1970s, English hijacked billboards across America, radically altering big brands’ original messaging by inserting new text, images and cartoon characters in a provocative and early form of ‘culture jamming’.

This Mixed Media Limited-Edition on Canvas hand-signed by Ron English and can be purchased in a set of two.

Find out more about this collection here or alternatively shop more Ron English artwork here.

Framed size
61.6in x 31.7in | 156.5cm x 80.5cm
Edition of
95
Medium:
Fine Art Print
Subjects:
Figurative, Fantasy

A Hand-signed Mixed Media Limited-Edition on Canvas by Ron English.

Contemporary American artist Ron English merges brand imagery, motifs from popular culture, cartoon characters and art historical references in a unique style, which he has coined ‘Popaganda’. Having previously riffed on works by Andy Warhol, Jean-Michel Basquiat and Leonardo da Vinci, he has recently reframed Picasso’s most famous masterpiece, ‘Guernica’.

Where Picasso’s mural is a powerful piece of propaganda, Ron English has painted witty, ‘popaganda’-styled interpretations of ‘Guernica’ which carry his own statements about today’s culture and divided societies as we advance towards new technologies. Inserting his own irreverent imagery, characters and visual references into Picasso’s template, English’ highly-imaginative phantasmagorical tableau assume iconic status, while asserting the artist’s own position as a great contemporary master.

‘Punk Skunk Guernica’ by Ron English is his subversive reimagining of Picasso’s epic anti-war mural. While paying tribute to the high drama, dynamic composition and atmospheric palette of the original, English has replaced Picasso’s cast of tragic characters with imagined creatures from his very own invented world, Delusionville.

Delusionville is, in English’s words, “like a fairy tale”, which he has not only painted in compelling detail, but written and composed songs about. Split by a river, there is a rich and poor divide, and “every animal that falls down the hole from the surface world has to negotiate their position, ending up on different sides” of this underground realm. Mostly, they find their roles reversed, with the Wolf discovering that he has become a “slave to all animals, existing at the lowest position in this society”, while “the little ducks are more superior”.

Developed by the artist himself, the “alternative reality” of Delusionville and its characters take central part in the artwork: three-headed rabbits, vultures, a large pig and the winged First Lady of Delusionville, Elefanka, are among those pictured in this frame. Building toy sculptures, he has worked from a set of his own making for this artwork. Striking a comic note, English’s version carries the feel of Pop Surrealism, in which artists distort recognisable symbols, characters and iconography in unexpected ways.

There is also a dream-like quality to the composition, which he has imagined in an evocative and muted palette, which he has developed “in relationship to Picasso's original.” In sharp black and white, and standing prominently in the foreground, is Punk Skunk, who he has developed as a character for people to relate to. Growing from his tail is a striking marijuana leaf symbol, inviting questions about the nature of reality. While Picasso was protesting war, English says that he “wanted to talk about social class in America, which is never even acknowledged”. Having created the cloak of a fairy tale and own cast of characters, his figures “all have their own politics, and all their own religions.” Punk Skunk Guernica’ is a modern-day fable about cultural divides in today’s context.

It was in 1937 that Picasso painted ‘Guernica’ as a powerful piece of propaganda, protesting the horrific bombing of the Basque town by Fascist forces during the Spanish Civil War. Having seen Picasso’s epic, anti-war mural in person and taking this art historical icon as his template, English decided that he wanted to do “100 versions of it in every way that I could think of.”. English has self-consciously kept some of the most symbolic imagery from Picasso’s mural, paying tribute to his predecessor. With the adaptations, he has paid tribute to the billboard-like scale and composition of the original, resonating deeply with his own earlier work. Having started his career as a street artist in the late 1970s, English hijacked billboards across America, radically altering big brands’ original messaging by inserting new text, images and cartoon characters in a provocative and early form of ‘culture jamming’.

This Mixed Media Limited-Edition on Canvas hand-signed by Ron English and can be purchased in a set of two.

Find out more about this collection here or alternatively shop more Ron English artwork here.

Framed size
61.6in x 31.7in | 156.5cm x 80.5cm
Edition of
95
Medium:
Fine Art Print
Subjects:
Figurative, Fantasy

Features

Ready to Hang

This piece of art is mounted, glazed or framed by hand, with our bespoke framing service in Birmingham, selected by our creative department.

Hand-signed by Ron English.

This beautiful edition is hand-signed by the artist, Ron English. 

“Well I’ve always perceived myself as an artist. I have no memory of not being into art.”

Discover more Ron English

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Punk Skunk Guernica

Ron English
(Ex VAT)
Available
Limited Edition

Guernica 2024 | Framed Set of Two

Ron English
(Ex VAT)
Available
Limited Edition

Star Wars Guernica

Ron English
(Ex VAT)
Available
Limited Edition
View artist
About

Ron English

About

Ron English

Ron English, a name that reverberates throughout the contemporary art world, is a true maverick and a trailblazer in the realm of Pop Surrealism. Contemporary American artist Ron English merges brand imagery, pop culture icons, cartoon characters and art historical references in a uniquely irreverent and colourful style which he has coined ‘Popaganda’.

 

Merging references to art history with cartoon characters and images from pop culture and big-brand advertising, he has coined the term ‘Popaganda’ to describe his style. Painted with meticulous brushstrokes, his vivid parodies carry undercurrents of meaning. “Still exploring” and “trying new things” through his practice, art for English remains “a big adventure.”

Learn more

Over 25 years of fantastic art

In 1995, we opened our first-ever gallery in Stratford-upon-Avon. With just one goal in mind - to make our art accessible to all - our fledgling company began to spread its roots.

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Every piece of art is mounted, glazed or framed by hand, with our bespoke framing service selected by our creative department.

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Our foundations are built on a passion for art, and many of our staff (and collectors!) have been with us from the very beginning.

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