Much like the 1950s photographer Robert Frank, Dylan chronicles life as it is lived by the people whose names are never printed in the newspaper. And those people are brought more into focus in this collection, unlike Dylan’s previous works, which were known for their distinct absence of figures, yet undeniable humanity.

In this latest chapter capturing the American landscape, we see more of residential living. People walking on tree-lined streets, musicians playing music outside a New Orleans home; this carefully curated collection of artwork offers a new perspective from Dylan in his unfolding portrait of America.

In his own words, the collection captures America “how you see it while crisscrossing the land and see it for what it's worth. Staying out of the mainstream and traveling the back roads, free born style”.