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Throwin' A Loop #2
33.86in x 27.95in | 86.0cm x 70.99cm
43.7in x 38.19in | 111.0cm x 97.0cm
Fine Art Print and Paintings
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Fusing Native American culture, spaghetti westerns and tongue-in-cheek humour, Billy Schenck – also known as the ‘Warhol of the West’ – takes viewers on an exhilarating trek through Western mythology.
With accomplished use of chiaroscuro, Billy projects photographs from Western movie stills and fills the outlines with flat, hard-edged areas of colour. His fiery horizons and landscapes are formed from distinct geographical locations and his childhood memories of summers spent in the high deserts of Wyoming.
He adds: "I wanted to do with my paintings what Sergio Leone had done with film. No other genre in the last 200 years can compete. It has a timeless quality, and still has infinite possibilities to explore."
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Production & Delivery
All our artwork is made to order in Birmingham, UK, ensuring top quality. Please allow up to four weeks for delivery. Each piece is carefully crafted to meet our high standards.
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Returns
We offer a 14-day cooling-off period so you can view the artwork in your home. If it's not right for you, we’ll collect it free of charge or you can return it to one of our galleries.
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Part of
The New West | 2019

The artist
Billy Schenck
Fusing cinematic culture, modern-day cowgirls and tongue-in-cheek humour, Billy Schenck - also known as the 'Warhol of the West' takes viewers on an exhilarating trek through Western mythology.
Bringing his art to the UK for the first time ever in November 2018, the real-life ranch sorting world champion promises to expose viewers to a reimagined Western narrative. Greek mythology clashes with irony, apocalyptic imagery and sexual tension for a collection that brazenly expands the limits of the genre. Billy's work is characterised by its scorching colour palette, surreal juxtapositions and cinematic composition.
Reproduced in a flattened, reductivist style he illustrates what Southwest Art magazine terms 'a stance…a pendulum between the romantic and the irreverent'. With accomplished use of chiaroscuro, Billy projects photographs from Western movie stills and fills the outlines with flat, hard-edged areas of colour. This, in his own words, produces 'a perfect marriage of photorealism and a paint-by-number system'.
His fiery horizons and landscapes are formed from distinct geographical locations and his childhood memories of summers spent in the high deserts of Wyoming. This curious mixture of real and imaginary, past and present is what defines the Kansas City Art Institute graduate. Through his exploration of mythical Western archetypes - including the lonesome cowboy and stoic Native American - Billy both celebrates and pokes fun at the subject.
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