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Robert Oxley

The Dark Knights | 2017

Dark, deadly and dangerous, the first instalment of The Dark Knights by the wildlife artist Robert Oxley saw him return to his neon colour palette and adopt an exciting new perspective. Instead of focusing on the face, Robert painted the animals' full body, and the effect is startling: the predators step out of the darkness and seemingly off the canvas.

The painter, whose art appeared in a January 2021 episode of Channel 4's Grand Designs, took inspiration from natural history and medieval legend for these hand-varnished artworks. To mirror the 2D effect of Robert's original artworks, our specialist atelier team carefully reimagined the painting using state-of-the-art techniques. The canvas is 100% cotton, creating a premium, high-definition effect, while the high-gloss acrylic giclée varnish offers a great depth of colour and extra UV protection.

3 artworks

Sold out Kali Purple Cat Oxley PI (1)
Kali

Robert Oxley | Limited Edition

Sale price$1,458.00
Sold out Lilith Purple Cat Oxley PI (1)
Lilith

Robert Oxley | Limited Edition

Sale price$1,458.00
Sold out Orion Purple Cat Oxley PI (1) Orion
Orion

Robert Oxley | Limited Edition

Sale price$1,458.00
rox-the-dark-knights-blog-thumbnail_2021-02-08T10-32-15

The Dark Knights | 2017

Robert Oxley

Dark, deadly and dangerous, the first instalment of The Dark Knights by the wildlife artist Robert Oxley saw him return to his neon colour palette and adopt an exciting new perspective. Instead of focusing on the face, Robert painted the animals' full body, and the effect is startling: the predators step out of the darkness and seemingly off the canvas.

"The cats are stepping into the light and leaving the darkness behind them. It's a new beginning."

The artist

Robert Oxley

As a child, Robert Oxley spent his hours roaming the forests around a north-east coalmining village, dreaming of becoming a zookeeper. Today, the lions, tigers and elephants who roamed his imagination are given life in his dazzling wildlife paintings. Immersing himself in pop surrealism, Oxley presents viewers with what he calls 'psychedelic natural history'.

Oxley's affinity with nature is evident in every instinctive brushstroke. He began his art career by painting his school friend's denim jackets with the logos of their favourite heavy metal bands. This rock 'n' roll ethos can be seen in his art, with its loose paintwork and free attitude, which makes it so popular with his many collectors.

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